• Articles, Arts Marketing, Branding, Website Reviews 25.08.2009 Comments Off

    Reading time: 10 minutes

    (Author’s note: this is an unreleased post from February 2009, which I’ve recently updated due to Zoomerang making some good changes to their website [good job Zoomerang!]. The process is a good exploration of user interface design consultations we do).

    Do you have an easy-to-navigate arts website?

    Do you have an easy-to-navigate arts website?

    What information can we glean for our arts websites from the homepages of commercial companies? Turns out, quite a bit. Let’s look at online survey providers Zoomerang and Survey Monkey as examples. It’s a no-brainer that your website should be easy to navigate. People should be able to find the information they need, with a minimum number of clicks, and there should be as few things to steal my attention away as possible. No annoying ads (are you really making any money with google ads on your site? If not, take them down), no “website hosted by” badges, etc. Just the facts about your organization ma’am. But as I’ll show you in this article using Zoomerang and Survey Monkey as examples, we need to go deeper to make sure we’re displaying what are patrons are looking for right away.

    I needed to do some research on online survey capabilities for one of our clients, an ethnic dance festival. I know that Zoomerang and Survey Monkey are the Coke and Pepsi of the online survey world, and for this round, I just needed to know:

    • How much does using the service cost  for how long
    • Does the service offer secure, encrypted surveys via SSL (https:// style), and how much was that in addition to the regular cost.

    Pretty simple laundry list. Before I go into this article in detail, just a note to say that I have no real affiliation with either Zoomerang or Survey Read more…

  • We estimate roughly 10% of your arts audience is playing around with Twitter.

    We estimate roughly 10% of your arts audience is playing around with Twitter.

    By now, you know about Twitter. You can’t avoid it — the mainstream media has picked up the love affair and is spreading the Twitter love far and wide. I recently did a bit of analysis on the Twitter account saturation in the email subscribers a few of our clients, and the results were intriguing.

    I scanned the email address databases of five of my arts clients, looking for people who were in their email database, who also had a Twitter account. The five arts organizations were a variety of genres and budget sizes from small to large, so it was interesting to see the same statistics across the board.

    Twitter statistics

    • 10% of the email subscribers had a Twitter account associated with their email address.
    • Roughly 1/2 of those patrons with Twitter accounts had not uploaded a picture to use as their Twitter avatar.

    I interpret the latter to mean that those people who have not uploaded a picture are still in the “sampling Twitter” phase — just logging in and “lurking” around trying to figure it all out. That’s actually good — we want our audiences to be playing with the new tools. But I don’t count these folks as being “power players” yet, as they probably won’t be following a lot of people or participating to any great degree until they decide if they want Read more…

  • A revenue stream for Facebook -- a benefit for arts organizations!

    A revenue stream for Facebook -- a benefit for arts organizations!

    When Facebook first launched, many people were confused about the two options available for featuring arts organizations: Facebook Groups vs. Facebook Pages. (I need to stop for a moment and mention that Facebook needs to work out a different name for “Facebook Pages” — isn’t every page on Facebook a Facebook page? Most people commonly refer to Facebook Pages as “fan pages” now, but Facebook has yet to officially update their documentation to reflect this. But I digress.)

    In the beginning, there were Facebook Groups and Facebook Pages. Groups offered the very special ability for the arts organization to directly connect with members of the group via a sort of intra-Facebook email system. So you could (and still can) use this tool to send a message that will arrive in the person’s “Facebook email” inbox. Fan pages offered a messaging system called an “update” that would allow you to send a message to all of your fans, but sadly the message would go to place in the user’s profile that most people never check. I’ve known folks to say “Yes, I became a fan, but I never hear from them” only to discover that their fan update inbox was filled with notes they had never seen. Given the checks and balances between the two options, Facebook Groups used to be the better way to go.

    About three months ago, Facebook made a very significant change to the way fan pages function, making them much more powerful…

    The change allowed Facebook fan pages to post to the individual fan’s newsfeed — that long, scrolling tickertape of never-ending message Read more…

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